DIGITAL COLLAGE IMAGE FABRICATION

It has been awhile since I’ve posted anything here. It’s a little daunting keeping up with all of the platforms for putting your “stuff”. I used to be a facebook poster, but facebook lost its charm a long time ago. There is something incredibly disconnecting about the way it started connecting me to people. From people I have never met in person to extended family that I have not seen in years, there is something truly wrong about the way it feels like a community while selling your translatable data off to ensure further mining of our lives. I eventually became iG only after Vine fell. Vine was awesome, but it’s nice how some people adapted from vine into bigger options. I just tend to think that there was something a little too good about Vine that caused its downfall which probably had to do with not being able to reinforce beliefs that people already have or exposing people to alternate truths that could corrode those that are afraid of us.

WordPress is definitely the best option for creative and technical control with assurance that you are pretty safe unless you don’t care about that stuff. But because there are so many options it’s a little more involved than posting an image or video to Instagram and throwing up a caption with hashtags. And I have a tendency to divide my identities into multiple accounts with whatever I do, which is probably my biggest problem.

These are excuses for all of the things I have not posted and all of the replies to people in facebook that I haven’t gotten to. I am considering sticking with WordPress only if Instagram gets any more like facebook and starts to lose its anonymity.

In the mean time here is a cut section of some digital work that I am compelled to do wether it employs me or not.

 

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CONTEMPORARY DIGITAL COLLAGE ART REWIND 2017

NEUROPATHY AND SKIN DISEASES OF THE EARLY 21ST CENTURY

contemporary painting that reveals mixed feelings or a dichotomy of emotions or opinions is normally on par with its level of importance. something – a problem or issue is being worked out th…

Source: NEUROPATHY AND SKIN DISEASES OF THE EARLY 21ST CENTURY

GLITCHES…… ok, wtf?

EVERYWHERE WE SEE AN OLD BRAND OF NEW ‘FAD ART’ that goes by the name of teh “GLITCH”
When this obsession for the nostalgia of the broken frame, the V-Hold adjustment that was always something to be frustrated about – NOT celebrated and mass-produced on a Walter Benjamin Essay’s possible connection. The first time I saw #glitchart on the caliber of the exemplary, it was on Twitter @PadrickBentley … I really couldn’t believe what I was seeing. But I still needed more answers as such large questions loomed over the implications and layers of form and content. When I asked Padrick about an image; whether it was a glitch or not, his answer was odd and brought me to a more comfortable place to decide what a glitch really was and what cultural impact it was conveying or having upon the social conscious of the world.His observation was that the image in question was ‘Subjective’, so yes, indeed it was a glitch. Somewhat broad of a qualifier, but as I soon found out – not really.
Well, whatever – go look at Padrick Bentley’s work on Twitter, then take a look at my new found #transcendentalaccidentalism discovery … which brought many new hashtags along with it
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ALTERING the CURVES HISTOGRAM in PHOTOSHOP

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A TREASURE of Interviews and explanations of ART by Marcel Duchamp

MARCEL DUCHAMP interviews: Art Defined; by fact and reasoning.

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JOHN FRUSCIANTE – New T Shirt … And a few of my paintings of late

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The Shock of the New: Marcel Duchamp

The Shock of the New: Marcel Duchamp